2004: Reproduction Tottenham Cole pots |
Invitation
* COLE * TOTTENHAM * round the edges. The font was based on Pat's original pot. Pat and Neil visited P & S Engraving at Portslade in Sussex to view the tool being made and to video the process. The partners Roy Pettitt and Brian Skilton could not have been more helpful, and by the end of the morning the tool was duly made. The photograph shows Roy and Brian with Pat holding the the finished product, which is called a roulette. |

| A group of Cole descendants and their partners visited
Whichford Pottery where
the reproduction pots were being made.
Liz Monk, Whichford's award-winning potter started things off by throwing a sample of pots for us. |

| She used the roulette to mark them with the inscription and put them on racks to dry. Only once the pots are fired will the beautiful and well-known terracotta colour appear. |

| Then she showed us round the pottery and told us about the processes
involved. Very interesting discussions emerged on the differences between
how things are done now and how they were done over the years of the
family Potteries (1890s
- 1950s).
The day finished with Whichford Pottery putting on tea and homemade cakes for us. |

| We very much appreciated the welcome that Whichford Pottery gave us and, in particular, the knowledge and helpfulness shown by Liz. Altogether we all had a thoroughly enjoyable day. Our thanks to Richard for organising it and to Whichford Pottery for hosting it. |
| The response from the wider family to Richard's initiative was much greater than any of us had anticipated. Not only did in include younger members who one would not have expected to be into family history at that stage of their lives. It also included descendants of the pottery employees of more than a decade ago. The photograph shows Richard and his wife Sonja unpacking some pots with Pat and Neil. |

Today's descendants of the Cole family who ran the family's pottery in White Hart Lane, Tottenham/Wood Green very much wanted to own some Cole pots for themselves. However, since the pottery closed in the 1950s, this was no straightforward matter. So Richard Cole set about organising some reproduction ones. This page starts with his invitation to participate and then reports on the making of the tool to mark the pots, the throwing process and the delivery of the pots.